![]() ![]() ![]() I have produced books, albums and prints directly from here, so a huge productivity gain. All my images from about 2005 onwards are Canon RAW, converted to DNG, and since I take care to get most things right in the camera I can do about 95% of my processing only in LR Developer and leave the RAW files untouched, with few jpg or psd copies. Lightroom is the last program to be turned off - and I am getting there.įor several years I have used Lightroom 4,5,6 as an essential tool in cataloguing and initially processing my images. I have the entire CS6 production suite and updated every new release, but once Adobe switched to a subscription model with no backward compatibility I vowed never to touch an Adobe product again. In catalogue terms I started using a small PC program about 10 years ago and gradually moved to MS Expression, Media Pro, the original beta Lightroom then versions of Lightroom up to CS6. But I have data and programs on both platforms. During those years I largely worked on PCs, but a few years ago switched mostly to Macs, which I now much prefer. I have closed my company but have a back catalogue of 100,000+ photos and videos. I was a full time professional photographer and latterly videographer for 10 years. I am not making a recommendation, just saying what I think is important and what works for me. Nevertheless, I am going to risk wading in and give some of my experiences. This is a very difficult subject and everyone has their own workflow and valid opinion. If you use a cross section of brands.the $300 entry point and annual updates that are in the $150 range puts it at the top of the market.which performace wise, it certainly is. That said, Capture One is not a cost effective alternative (unless you only use one single camera brand and one of these Sony, Nikon, Fuji, or PhaseOne). Anyone jumping in from new, I don't see the point of using LR if you don't want to. ![]() Jumping ship from LR the only challenge there is deep legacy users that have a catalog and massive amounts of Presets adn settings that won't translate. There are even free options that are very capable. I'm not convinced on the whole "integrated" approach between LR and PS, it isn't that much different than what can be done with C1 and Affinity (or a few other DAM type of programs on the market) that allow you to open up a raw file. I prefer to work in sessions, so can't compare the idea of working with an insanely sized single catalog. The File management side of the program is debatable. The teathered capture is also class leading. Without a fully integrated DAM, the Affinity Suite is like an impressive building set on a weak foundation.Ĭapture ONe is a better RAW processing program than LR, ask anyone that is a pro and used both and they will tell you the same. The current alternative solutions all lack the full integration of the following workflow, that is set to create satisfaction and/or money from the „stars“ selected before. Once you start using Lightroom, you are dedicated to the rest of CC. This is what Lightroom does, and it is pretty good at it. So the first step is always to get this flood under management and do some initial steps to organize and balance this as a resource. Professional or engaged amateurs alike produce way more footage than they „need“ or can process. If you look at it from a workflow perspective, the DAM missing is the next most important element to give customers full autonomy from Adobe. ![]()
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