An honorable mention also goes to the voice actors, who have managed to charge the memories with heartfelt emotion. There are a few hauntingly beautiful piano pieces, which are also tied to the game's story and characters, that contribute to creating a surreal and melancholic atmosphere, evoking happy times long past. The soundtrack is also one of the best features of Layers of Fear. They're a coherent and fundamental part of the whole vision. These special effects have a precise function in the context of the game, so they're not a simple showcasing of the team's ability and creativity. It's really difficult not to shiver when you see entire rooms changing, paintings dissolving into twisted versions of themselves and more. The graphics are very well done, with excellent lighting and plenty of details, and so are all the special effects employed in the more psychedelic moments. The game's themes and atmosphere are vastly enhanced by the presentation. The abundance of these sequences, however, ends up making the final chapters feel less scary than intended, as one can be more excited to see what the team came up with, rather than be afraid of opening yet another door. The team put a lot of effort and creativity in these twisted, psychedelic sequences, with very few gimmicks getting reused, if not for some story significance. And there's really no respite until the end, as no place is truly safe. And what a journey it is.Īs a horror game, Layers of Fear is literally stacked with moments that will unnerve and scare players, making them fear opening the next door, or merely operating the mechanisms in front of them. Something may be interpreted wrong during the process, but it's the journey all that truly matters. Layers of Fear has a strong tie with art (painting, specifically) which is underlined by this unique storytelling method: it's as if the players have to paint a picture of the story themselves with the tools provided by the game. There's plenty of symbolism in the narration and many details may be lost if you don't pay attention to the surroundings, to some apparently unrelated items, to the many pictures found in the manor or to some of the twisted visions experienced during the course of the game. Focusing on just some of these elements, however, is not enough to fully grasp the story of Layers of Fear. During the course of the game, players will have to piece together memories from the past, eerie messages scribbled on the manor's walls and furniture, documents and more. The story doesn't really break any new ground, but it's made quite engaging the way it's told. Layers of Fear is a first person horror game where players explore a huge manor in the attempt of understanding what happened to the main character and his family, and to complete what might be considered as his magnum opus. To finally finish the painting of a lifetime. Morality melts like snow, bonds are crushed and shattered, everything becomes a tool to finally see the end of a creative struggle. Thankfully, this isn't the case for most, but the protagonist of Layers of Fear did indeed go down this path. A creative block is enough to make everything lose any meaning for them, with the search of the way out of said block becoming the only thing that matters.
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( Version 1.15.0 and later only) Units are now recalled for AI sides even if the recall_cost is larger than the unit's worth (essentially its cost, plus potentially a bonus for experience points). A value of -1 is equivalent to not specifying this attribute. Individual units may override this value in.
In adding PLAYR’s technology and team, Trufan will push full speed ahead to unify the two products and help brands and creators get true ownership over their audiences while also respecting a consumer’s right to privacy. Integrating with Trufan will allow us to introduce best-in-class analytics and allow us to further develop our platform by helping brands and creators to grow, segment, and activate their audiences in new ways that have never been done before”. “Our team has always been focused on building the best platform for brands & content creators to grow and manage their audiences, and this acquisition really accelerates our ability to execute and enhances our product offering. “We’re very excited about PLAYR becoming part of Trufan”, said PLAYR’s CEO Austin Walper. Austin Walper will join Trufan as Chief Strategy Officer and Andrew Mastracci (President of PLAYR) will become Trufan’s Chief Technology Officer. We are extremely excited to work with their team and bring our two products together.”Īs part of the transaction, Trufan has acquired PLAYR’s technology, customers, and brought on PLAYR’s entire team of 10. It solves the needs of both large enterprises and individual creators. Praising PLAYR’s product, Trufan’s COO Aanikh Kler said, “The PLAYR team has done a phenomenal job of building a product that is powerful, intuitive, and visually beautiful. PLAYR has previously raised $2.3M from several institutional and angel investors across Canada and the US. PLAYR also works with thousands of content creators across Twitch, YouTube, and Facebook Gaming to drive audience growth and fan engagement campaigns. Founded in 2017 by Austin Walper, the Kelowna based startup has grown to become one of the leading growth platforms and works with some of the largest brands including Electronic Arts, UFC, Bud Light and GFUEL to activate their audiences, grow their social followings, and generate first party data. The team at PLAYR has seen similar successes with their company. Despite COVID, Trufan saw consistent organic growth and they expanded their acquisition channels: integrating their platform with Hootsuite and partnering with Clearbanc and Shopify/Digital Mainstreet on the ShopHERE initiative. The company became cash flow positive in December 2019 and has remained profitable throughout the last year. This year has not slowed down Trufan’s growth. Radio: UConn Sports Network, WAVZ-New Haven (1300 AM), WGCH- Greenwich (1490 AM), WATR-Waterbury (1320 AM), WICH-Norwich (1310 AM, 94.5 FM), WILI-Wilimantic (1400 AM, 95.3 FM), 97.Trufan founders Swish Goswami & Aanikh Kler Records: UConn 30-8, San Diego State 32-6 They are, after all, all that stands between UConn and a fifth national title. That's about all I know right now."Īlleyne and the rest of the Huskies will get to know the Aztecs a whole lot better over the next couple of days. "They're a really good defensive team, they like to pressure you a lot and get you in the fullcourt," added Nahiem Alleyne. "They have some great offensive players, as well. "They're super-tough defensively," Alex Karaban noted. San Diego State is a tough, physical squad that preaches defense. And, in a twist, this team plays somewhat similar to a Big East team. Now, as the Huskies vie for their fifth national championship on Monday night, they have one more non-conference opponent ahead of them. Every one of those victories have been by 10 points or more. The Huskies are 16-0 outside of the conference. UConn went 13-7 in the Big East, 1-1 in the Big East Tournament. "I think that bodes well for March," Hurley said at the time. No matter you play Ark: Survival Evolved on your Gaming PC, Xbox One / Xbox Series X, PS4 / PS5, Switch or Mobile Version we've got you taming tools covered.Ĭopyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.įair use is a use permitted by copyright statute that might otherwise be infringing. Clean and neat design with fresh and intuitive interface.Available in different languages: English, Spain, French, Italian, Russian, Polish, German and Portuguese-Brazilian.Ark: Survival Evolved maps for cave locations, creature spawns, resources and explorer notes.Admin commands (cheats), engram calculator, breeding times, breeding calculator, recipes and dyes, kibble recipes, patchnotes for all playable platforms.Overviews for dinos and creatures: carryable by, can damage, trapped by, fits through, gathering efficiency, XP for crafting and farming, weight reduction for resources, dino base stats, explorer notes, buffs, biomes and a lot more.Dino stats, dino trainee level calculator and Wiki links for extended usefully informations.Always newest Dev Kit data and personal testing data.An all-in-one cross-platform wiki guide & Ark companion app.Dino taming and foodrate multipliers for unofficial Ark: Survival Evolved server - e.g.Various calculators and guides for every tameable creature or dinosaur in Ark: Survival Evolved, Scorched Earth, Aberration, Extinction and the new DLC Genesis 1&2. This Ark companion guide app delivers everything you should expect from such Ark: Survival Evolved guide and wiki apps, and it even sets the bar to a higher level by offering data from DevKit and personal testing data, engram calculations and planning, maps, breeding calculations, admin commands (cheats), dino stats, recipes, and a lot more calculators and important overviews with frequently-updated data.Ī-Calc Ark Tools Main Features for Ark: Survival Evolved at a Glance: ThanksĪre you a fan of Ark: Survival Evolved? Then this unofficial Ark taming calculator and companion app guide is a must-have for you, as it offers an taming calculator to let you know how much resources and time you need for tame dinosaurs and other creatures. Support my work and community project with this ad-free verion. I have produced books, albums and prints directly from here, so a huge productivity gain. All my images from about 2005 onwards are Canon RAW, converted to DNG, and since I take care to get most things right in the camera I can do about 95% of my processing only in LR Developer and leave the RAW files untouched, with few jpg or psd copies. Lightroom is the last program to be turned off - and I am getting there.įor several years I have used Lightroom 4,5,6 as an essential tool in cataloguing and initially processing my images. I have the entire CS6 production suite and updated every new release, but once Adobe switched to a subscription model with no backward compatibility I vowed never to touch an Adobe product again. In catalogue terms I started using a small PC program about 10 years ago and gradually moved to MS Expression, Media Pro, the original beta Lightroom then versions of Lightroom up to CS6. But I have data and programs on both platforms. During those years I largely worked on PCs, but a few years ago switched mostly to Macs, which I now much prefer. I have closed my company but have a back catalogue of 100,000+ photos and videos. I was a full time professional photographer and latterly videographer for 10 years. I am not making a recommendation, just saying what I think is important and what works for me. Nevertheless, I am going to risk wading in and give some of my experiences. This is a very difficult subject and everyone has their own workflow and valid opinion. If you use a cross section of brands.the $300 entry point and annual updates that are in the $150 range puts it at the top of the market.which performace wise, it certainly is. That said, Capture One is not a cost effective alternative (unless you only use one single camera brand and one of these Sony, Nikon, Fuji, or PhaseOne). Anyone jumping in from new, I don't see the point of using LR if you don't want to. Jumping ship from LR the only challenge there is deep legacy users that have a catalog and massive amounts of Presets adn settings that won't translate. There are even free options that are very capable. I'm not convinced on the whole "integrated" approach between LR and PS, it isn't that much different than what can be done with C1 and Affinity (or a few other DAM type of programs on the market) that allow you to open up a raw file. I prefer to work in sessions, so can't compare the idea of working with an insanely sized single catalog. The File management side of the program is debatable. The teathered capture is also class leading. Without a fully integrated DAM, the Affinity Suite is like an impressive building set on a weak foundation.Ĭapture ONe is a better RAW processing program than LR, ask anyone that is a pro and used both and they will tell you the same. The current alternative solutions all lack the full integration of the following workflow, that is set to create satisfaction and/or money from the „stars“ selected before. Once you start using Lightroom, you are dedicated to the rest of CC. This is what Lightroom does, and it is pretty good at it. So the first step is always to get this flood under management and do some initial steps to organize and balance this as a resource. Professional or engaged amateurs alike produce way more footage than they „need“ or can process. If you look at it from a workflow perspective, the DAM missing is the next most important element to give customers full autonomy from Adobe. If you're only interested in enhancing your photos, there's a more affordable 'Photography plan' that includes Lightroom (both Classic and CC), Photoshop, Photoshop Express and the fun Photoshop Camera app.īeyond these two main plans – All Apps and Photography – there are also Creative Cloud plans for different types of users, including individuals, students, teachers, universities, schools, and businesses. And while it isn't cheap, the All Apps bundle is a hugely versatile set of tools that can tackle pretty much any professional creative task. The combination of all these programs is extremely powerful – you can, for example, design email campaigns (using a combination of Photoshop, Illustrator and Adobe XD), or mock up a web page using the same tools. You can also add a stock photography subscription for an extra fee, which lets you download and use 10 Adobe Stock images per month. If the task can be simplified, the software can be as well.Not only can you access 20 desktop and mobile apps, an All Apps subscription also includes 100GB cloud storage for your projects, your own portfolio site, premium fonts and social media tools. People do not use complex software because they are smart they use it because it is required for what they need to accomplish. I do not like that term and prefer “simplified”. (* The author uses the phrase “dumbed-down” to describe some applications.
Still, the attacks back then never reached the fever pitch commonly seen today, and the audiences understood that period dramas aren't necessarily based on truth and research, especially when they are pyujeon sageuk 퓨전사극-literally 'fusion historical dramas'.Īs the label implies, such shows fuse history with a great deal of invention. A scene from The Immortal Yi Sun-sin, considered one of the 'better' Korean historical dramas (by Koreans) despite some questions about its historical accuracy They also took liberties with history as dramas often do and caused grumbling among scholars, media and even some viewers. The Immortal Yi Sun-sin (2005), about the legendary 16th-century admiral whose statue stands in central Seoul Queen Seondeok (2009), featuring the eponymous monarch of the 7th-century Silla Kingdom and the Deep-Rooted Tree (2011), chronicling the circumstance of Hangeul's creation during Sejong's reign, were all bona-fide hits. It would be no exaggeration to say just about every Korean period drama, no matter how popular, has been met with some public criticism over accuracy. Ensuring that Korean history is portrayed 'correctly' has long been the nation's preoccupation. But the director of the TV adaptation made the decision to "create a fantastical setting" and "change all names of people and places in order to avoid any controversy about distorting history."Īdmittedly, this debate over what constitutes historical truth isn't new. The book is set in early Joseon and it identifies all the historical figures with their real names. Red Sky, based on a novel of the same title, was reportedly keen to avoid the same fate. Queen disappeared from domestic streaming services, if only briefly. Joseon Exorcist was canceled after two episodes, and Mr. Korean netizens began digging up evidence of links between Park and China and started calling him a traitor to the nation. The latter, adapted from a Chinese drama, was said to insult one of the last royal couples to rule Korea and their court. The former came under fire for, among other things, showing Chinese food, decor and music on screen. Both were penned by the writer Park Gye-ok, and both were accused of belittling Korean culture and history. One can blame it partly on the controversies that engulfed two historical TV series last year: Joseon Exorcist and Mr. It's taken a year or so for this strange situation to become the norm in Korea. The message is obvious: historical dramas ( sageuk 사극), by definition about history, apparently don't concern history. Both of them feature this disclaimer: "The characters and background of this drama are fictional creations." And at least two different shows from the past couple of months feature Joseon but forego giving names to the kings, calling them simply."the king". Snowdrop, currently on air and available on Disney+, is another. Lately Red Sky isn't the only Korean TV show to argue that it isn't based on history despite ample evidence to the contrary. Trailer for Red Sky, a recent Korean historical drama that claims to be a story of a fictional "Dan Dynasty" I wonder how many people are really fooled. The power-mad prince is called Juhyang, not Suyang. Ignore that its people dress in early Joseon-style clothing and live in period-appropriate architecture. The similarities notwithstanding, the creators of Red Sky insist that their story unfolds against the backdrop of a fictitious "Dan Dynasty". One of Sejong's sons-the infamous Prince Suyang-in turn went on to stage a palace coup and had his own nephew exiled (and later killed) so that he himself could take the throne. He retired to allow one of his sons to succeed him as the King Sejong (credited with developing the Korean Hangeul script). Central characters of last year's K-Drama Red Sky ( Hong Cheongi 홍천기) include a king who abdicates in favor of his son, a benevolent ruler and his ambitious grandson with a desire to be future king at any cost.įrom that alone most Koreans would recognize the show's setting as the Joseon Dynasty at the beginning of the 15th century, so famous is the story of the King Taejong who reigned from 1400 to 1418. Your computer systems have some emergency backup features to help you restore your music. However, in case you don’t have any backups, there’s no need to worry. It’s good to create such backups since they can be beneficial in unexpected data-loss situations such as device formats, corruption with your storage device, etc. If you’re someone who keeps backups of your files, you can attempt to recover your deleted or lost music files via cloud backups or your external drive. Unfortunately, it’s nowhere near as easy to use as Disk Drill, which is why we recommend you read the official tutorial to learn how to recover lost or deleted music files using TestDisk. This handy open-source data recovery tool is licensed under the terms of the GNU General Public License, and it has features for both novices and experts. The purpose of TestDisk is to recover lost partitions and make non-booting disks bootable again. Method #3: Data Recovery using Another Tool:Īnother data recovery tool that you should know about to recover deleted MP3 files and other music file formats is TestDisk. In other words, Disk Drill is a fantastic choice for all kinds of data recovery tasks-not just MP3 recovery. It comes with several useful disk tools that can help you avoid losing music files in the future. Moreover, Disk Drill can recover hundreds of other file formats from virtually any storage device. Finally, click Recover.ĭisk Drill simplifies the file recovery process and allows you to restore your MP3 files efficiently and without any hassles.
The protectorate ended on 31 December 1848, with about 20 or 30 Dja Dja Wurrung living at the station at that time. A Bunurong is an unusual and interesting dialect of Aboriginal Australian that is spoken by six clans living in adjoining estates in the Port Phillip region. A Medical doctor appointed for a time confirmed the prevalence of venereal disease. In 1955, the event date moved to July, so it could be a time not just for protest, but also of celebration. Mathews produced an outline of its grammar, published in German in 1904. Some 700 words were taken down by Joseph Parker in 1878, while R. Took part of the preparation of grant application and. NAIDOC (National Aborigines and Islanders Day Observance Committee) week can be traced back to the Australia Day in 1938, when one of the first major civil rights gatherings in the worlda march through the streets of Sydneyprotested the status and treatment of Aboriginal and Torres Strait Islander Australians. Since you have exceeded your time limit, your recording has been stopped. You can contribute this audio pronunciation of Dja Dja Wurrung to HowToPronounce dictionary. Aboriginals were regarded as heathens, unable to swear on the bible, and therefore unable to give evidence. LAST CHANCE! Pronunciation of Dja Dja Wurrung with 1 audio pronunciations 6 ratings Record the pronunciation of this word in your own voice and play it to listen to how you have pronounced it. For us young mob and our future generations, the survival and revival of our languages is imperative to our very being. The Wurundjeri Willum clan lived in the City of Yarra area of Melbourne during the early 1900s, and their language is known as woi wurrung. If you would like to learn how to say hello in Boonwurrung, read on for our guide. I left my comfortable job as a Facebook employee to pursue my passion educating people worldwide. Sourced from (Victorian Aboriginal Corporation for Languages Placenames Database, 2002). Oops! It had, broadly speaking, two main dialects, an eastern and western variety. |